The sixth book review of 2020, is of an historical novel, The Gossip’s Choice by Sara Read.

In the current issue of the Journal of Medical Ethics, Dunja Begovi, Elizabeth Chloe Romanis and Alexandra Mullock suggest in an open access article ‘Reviewing the womb‘ that women’s reproductive freedom is under threat in many ways as the uterus becomes more accessible and amenable to medical management. It discusses some of the associated ethical and legal dangers which have emerged from developments in reproductive technology, and reflects on the historical notions of woman as the (sometimes incompetent) vessel for the nurturing of the male seed, where the focus lies on the fruit of the womb, on the fetus rather than the mother.

For a limited period only, just register to use the archives. The process takes less than five minutes.

https://www.eventbrite.co.uk/e/in-sickness-and-in-health-exploring-medical-history-collections-tickets-45744263323

Wouldn’t it be timely to compile a gallery of as many former midwifery ‘training’ school badges as possible, before they are lost?  Former schools of midwifery often produced their own badges, sometimes with interesting coats of arms or mottos on them. We have made a start with this: members can view them in our image library. Has this tradition of awarding badges been continued by contemporary higher education  institutions? …

York Minster Nave: Nativity boss (1840)

The Nativity Boss

York Minster was built between 1220 and 1472 and is one of the great Gothic cathedrals of England and Europe. In the course of the last two centuries, it has suffered three catastrophic fires with the second, in 1840, destroying the roof of the nave.

The nave roof is decorated with a series of eight bosses that depict the life of the Virgin Mary, a figure of great devotion in Catholic Christendom during the medieval period. The second of the bosses depicts the nativity, the birth of Christ in a stable in Bethlehem. The original boss showed a magnificent ox and ass, a shepherd, angels, the manger and, at the centre, the seated figure of the Virgin with her eyes raised to heaven, breastfeeding the infant Jesus.

In 1834, a local artist, John Browne, made detailed sketches of the nave bosses during maintenance work in the Minster. These sketches were the primary source for the huge restoration that took place following the 1840 fire. All the bosses were restored exactly as Browne had depicted them, except for the nativity boss. Apparently, in response to Victorian preferences for extreme modesty in social settings and church adornments, the restored boss depicted the Virgin bottle-feeding her baby, rather than breastfeeding!

Kindly contributed by Professor Mary Nolan, who is also an official York Minster guide.

Midwife Booth, a Salford midwife, attended over 4,225 cases (1864-1879). Ellen Booth practised in the environs of Salford during the nineteenth century. Data provided in this register suggests that she attended over 4,225 births between 1864 and July 1879. From the figures listed in the front of the book, her birth attendances were lowest in the first few years of practice, which happened to coincide with the latter years of the Lancashire Cotton Famine (1861-65). The surviving casebook lists births from 1873 until July 1879, and shows a year-on-year increase in midwifery activity.

The format of the individual birth records evolved slightly over time, but contained details of the mother’s name and address, the day and month of the year, and the sex of the child (or children), and it was noted if it was the mother’s first baby.  The numbers of births for each completed year were totalled, and interestingly, at the back of the book, she also kept notes of some of the fees charged and any amounts that remained outstanding. Although there is a slight inconsistency in the style of the records towards the end, births were predominantly described as ‘natural’, and there are relatively few cases in which medical attendance was summoned.

The medical cases begin to appear towards the end of the register; in one case a Dr Winterbottom was called to perform an ‘instrumental’ birth, two more cases are described as ‘natural instrumental’, and in 1879 there was an instrumental birth of a stillborn infant boy. A significant number of infants were born ‘face to pubis’ and Mrs Booth encountered several breech births (one footling), plus face presentations and sets of twins, which were all born without apparent difficulty . Complications noted included several retained placentae,  an ‘emerage’ (haemorrhage) before birth, which resulted in a natural birth, and one ‘emerage’ after birth, with no mention of her calling for medical assistance. There were also references made to miscarriages as well as stillbirths.

Several babies were described as malformed, and prematurity was noted; one premature baby was recorded as living for 20 hours (incidentally, none of the babies appear to have been weighed at this time). Towards the end of the register, a maternal death is documented which occurred at the onset of labour, apparently due to ‘rupture of the heart’.

These archives are from the Craig Brisbane Collection, and were brought to the attention of De Partu via Manchester Museum. Group member Dr Frances Badger has already completed a study of a similar birth register which contains details of over 5000 births between 1847 and 1875, kept by a midwife called Mary Eaves of Spon End, Coventry. The archives have now been transferred to her for a closer examination and investigation.

Ellen Booth’s casebook

Dr Frances Badger -thesis abstract

Frances’s article on Mary Eaves may be of interest:

Badger, Frances J. Illuminating nineteenth-century English urban midwifery: the register of a Coventry midwife. Women’s History Review 23(2014) 683-705